dancing solo...sort of

"To succeed a work of solo dance has to move the audience on many levels. We have to be awed by the capabilities of the dancer's body, touched by the emotions the work conveys, and challenged by the intellectual puzzle the choreographer has given us to solve as we interpret the dance." Kim Hays, Swiss News.

I am proud to say that this was written by Kim Hays as a lead in to a glowing review of a dear friend of mine and phenomenal dancer, Lazaro Godoy in his solo Jugo di Limon.

Her outline of a successful solo work cobble some tall boots to fill, no doubt. I am stuck on "awed by the capabililties of the dancer's body". I think this goes beyond the technical and easily intertwines with the emotions of the work and the intellectual puzzle. Emotion and intellect will lead the body to physicalize in some pretty awesome ways. With these partners, you are never alone in a solo.

But how do you make a solo interesting? How do you construct a puzzle for yourself when you are making your own solo work? How do you capture the intrigue of the puzzle when you yourself built it? I feel my brain veering off into Greek mythology and metaphysical philosophy by even posing that question.

How do you avoid the cliche of "being in the moment", while still being in the moment?

Here's where I announce to the blogosphere that I am pregnant....and that is one way to dance a solo with a puzzle you made yourself, but cannot resolve yourself, thereby being in the moment without indulgence or inevitability, even amongst choreography. Here is a way to be awed by the capabilities of the dancer's, one's own, body, the baby's body. Baby dips, ducks and dives without complaint -- so far -- rolls, spins, leaps with enigmatic complacency. According to ultrasound imaging, baby jumps around when I am still.

Next weekend I am about to perform for the first time with baby in utero. It is a duet with another fabulous dancer, Barbara Pallomina -- it is also a mysterious trio wherein the audience will never see the third dancer's movements. Appropriately I am portraying mud and smoke -- obscure and cloudy...

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