Noah Kenneally's Science of Cartooning in Sociology
I met Noah Kenneally sometime around 2001, when my then-boyfriend-now-husband and I ran a performance series out of a warehouse space in the west end of Toronto. Noah was introduced to me by a frequent performer in our space: Lisa Pijuan-Nomura. (I don't think anyone Lisa has ever introduced me to has ever been a jerk, she naturally attracts the most lovely people.) At the time Noah was a theatre performer and maker, a puppeteer with a fiercely smart and political mind. Noah and I went on to share the stage three times. The first in Lisa Pijuan-Nomura and Erin Shields' joint experiment "The Paradise Project" -- an exploration of Paradise Lost that happened at Lula Lounge. The second time, Noah and I played villain lovers in Theatre Rusticle's "WISH", an adaptation of Congreve's "The Way of the World". The final time was in a Blue Ceiling dance project that was part of Harbourfront's HATCH program in 2005. "Days of Mad Rabbits&quo